Posts filed under '亞洲數碼錄像競賽'

My 2007 HKIFF viewing experiences (2)

談到幾齣電影:

父子 (香港)
危險人物 (香港)
莫失莫忘(前譯:愛情征服一切)(馬來西亞)
喜怒哀樂 (台灣) (李翰祥)

After This Our Exile (Hong Kong, 2006)

To say the least, I did not feel let down at all by this compelling father and son drama — and this even though it stars one of my least favorite Hong Kong actors in Aaron Kwok…

Undercover (Hong Kong, 2007)

the bald truth of the matter is that this shot-on-digital video offering can’t help but suffer quite a bit in comparison. And although its two male stars actually are ones whose movie appearances I often do look forward to seeing, their sturdy (in the case of Shawn Yue) and charismatic (in the case of Sam Lee) presence just couldn’t make up for their characters being caught in a story that’s tired, hackneyed and unneccessarily possesses the kind of misogynistic overlay that tales about heng tai don’t really need to have…

Love Conquers All (Malaysia, 2006)

This Malaysian indie effort has a reputation for being a favorite with film festival juries…
I wasn’t impressed by this effort’s acting, cinematography, editing and musical choices, never mind story and other content. Also, I didn’t feel any sense of tension or empathy for the main characters…
In a nutshell: In a film festival that appears to have had too many films with stupid protagonists, this work’s main character gets the prize for being the dumbest of them all.

Four Moods (Taiwan, 1970)

Like John Woo, the late Li Han-Hsiang is remembered these days as one of Hong Kong cinema’s biggest auteurs. However, as with more than one now vaunted Hong Kong filmmaker, he also had a spell in Taiwan, during which he got into financial trouble.

To help him get through his dire straits, three of Taiwan’s top directors in Bai Jingrui, King Hu and Li Xing decided to band together with Li Han-Hsiang to make a movie that would consist of four separate stories, each of which would be directed by one of this quartet of auteurs…
Unlike all the other works which I’ve previously viewed, this one didn’t feature an elaborate set or pretty costumes…

(閱讀全文)

作者: YTSL
刊於: WEBS OF SIGNIFICANCE

Add comment April 13th, 2007

將愛情進行到底《莫失莫忘》( Love Conquers All)

身為香港人,睇來自馬來西亞或新加坡等南亞地區的電影時,總有一點精神分裂的感覺,因為那些角色一時講廣東話,一時講國語,一時講唔知咩話,而那些人唔似香港人,亦唔似內地人,又唔似台灣人,一時間文化背景總是好像搞錯哂咁,甚至連故事發生係咩時代都搞唔清楚。(…閱讀全文

作者:Darth Mike
刊於:Darth Mike Movie Record

Add comment April 13th, 2007

06. “No Regret” 愛在基吧的日子

(討論電影:愛在基吧的日子 No Regret - 李松喜一,2006)

呢套片第一樣唔鍾意係套戲個中文名
真係打個凸囉
佢真係唔改好過改…
仲要睇完套戲都唔明個中文名點解會係咁(…閱讀全文

作者:luvul
刊於:blogger luvul

Add comment April 9th, 2007

C’s電影節系列 part 7 - Love Conquers All

寫在城市與愛之間

還很記得以前,電視台有齣電視劇,內容是講一些鄉村姑娘,到廣東省打工,結果因為愛上這裡的生活,還有一個不能愛的男人,加上城市打工的寂寞,換來的是悲慘的結局。

這是一個電視台拍下的寫照,換轉場景,到馬來西亞走走,結果還是一樣。
(…閱讀全文

作者:PUCC_Cusson
刊於:Cusson’s Xanga Site

Add comment April 8th, 2007

05. “The Elephant and the Sea” 大象與海

(討論全文:大象與海 The Elephant and The Sea - 吳明金,2007)

套戲主要係講兩個人物所發生的事
解構佢地分別對海與象的情意結
或算我愚昧, 我未搵到箇中的關係(…閱讀全文

作者:luvul
刊於:blogger luvul

2 comments April 7th, 2007

HKIFF — 2007/03/31 《下午狗叫》

(討論電影:下午狗叫 Mid-afternoon Barks(張躍東,2006))

下午會是狗兒們喜歡吠叫的時候嗎?
隨著內地發展迅速,鄉村同樣地迅速消失嗎?
木做的柱子一條又一條不斷擴展,天然的風景被取代

簡單的說,這只是一個受壓感情與釋放欲望的故事而已。(…閱讀全文

作者:子木
刊於:KAHLUA

2 comments April 7th, 2007


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